SAM ROUNDTABLE MEETINGS

Tensional Friendship Between Literature and Cinema

Celil Civan

Thursday, November 23, 2017 6:00 PM Salon: ŞAKİR KOCABAŞ SALONU

• The Euroscepticism in Turkey: An Analysis of PRP (CHP), NAP (MHP), and JDP (AKP)
• Turkish-Persian Literary Relations
• Metaphysical Evil and Art
• Toz Ruhu Movie Talk
• Self-Knowledge in Avicenna and Descartes
• Contemporary Art in Turkiye at the Context of III. International Istanbul Triennial
• The Travelling Storytellers
• Şirin'in Düğünü
• Law and Morality: Bounded or Distinct? An Argument on Hart
• Dream (Rüya)
• On the Track of Tale
• Confronting through Foreign Policy: AK Party, Military and Kemalism)
• The Problem of Meaning in Literature, Music and Calligraphy
• Mutual Origin of Art and Philosophy: Techne in Platon
• Album
• The Apprentice (Çırak)
• Architecture in Turkiye in 2000s: Problems and Opportunities
• Turkish Novel ve Politics
• Entertainment Culture of Ottoman Istanbul and Karagöz
• Cold of Kalandar
• Turkish Tradition Theater and Karagöz
• The Challenge of Europe's "Now": Time in the Romantic Age Architecture
• Symbol and Metaphor in Paul Ricoeur’s Philosophy
• Execution style of Karagöz Music
• Carl Schmitt's Partisan Theory
• Critique of Mimesis in Platon’s Thought
• Transformation of Art in Türkiye
• Did Karagoz come from Egypt?
• The effects of the language reforms on Turkish literature in the context of poetry and translation in The Early Republican Period (1932-1950)
• Islamic Visual Culture between Theory and Practice
• Karagoz and Cinema
• A Recently-Emerged Loner in Anatolia
• Karagöz Plays in Print Works: “Letaif-i Hayal"
• Cicadas and Ants
• Traditional Performing Arts in Ottoman and Cinema
• Economy-Politics of the Turkish Foreign Policy During the AK Party Period
• Cinema at the Crossroads of Philosophy and Literature
• All Felicities Are Possible
• Cinema in the Ottoman Empire from the Period of Autocracy to the World War I
• Dramaturgy in the Texts of Karagöz
• Istanbul, Modernity, and Cinema
• A Shattered Story of a First: On the Beginning of Turkish Cinema
• Literature and Cinema Were Never in Love, Literature is on the Moon hile Cinema is on Earth
• The Metaphysics of Sacred Art
• The past and present of Palestinian cinema
• From Art to Truth: Heidegger, Van Gogh, Schapiro, Derrida
• Something Useful
• A Wooden Building Cooperative in Afyon
• Documentary Cinema and the Artistic Adventure of Reality from Literature to Cinema
• Closed Economics Open Text
• Eco-fiction: Literature as a Solution to Ecological Problems
• Geometric Patterns in Classical Ottoman Architecture
• Modernism and House
• General Legal Arrangement Efforts in Ottoman Cinema: The Fate of a Lâyiha
• An Overview of Adaptations of Award-Winning Novels in American and Turkish Cinemas
• Philosophical Hermeneutics and Art
• The Birth of Modern Family and House in Istanbul Since
• Mirâciyye
• Tanpınar and the Third Eye of Ra
• Film as a Material of History
• A Neighborhood Fiction: İznik Toki Houses
• How Canonicalize the Second New Poem
• Aesthetic of Third Cinema
• Mevlevi Sheikh Kemal Ahmed Dede
• Tanburi Cemil Bey
• Never Leave Me
• Milli Sinema Osmanlı'da Sinema Hayatı ve Yerli Üretime Geçiş
• Understanding Collaborative Partnership Practices in Cultural Heritage Management: Case Study of Maritime Greenwich
• The Issues Concerning the Origin of Turkish Cinema History
• Cinema and Philosophy
• House in the East Blacksea and a New Trial: House of Yaşar
• From the 19th Century to the Present: Romance, Melancholy and Politics
• Cultural Production Spaces in Ottoman Society
• The Legend of Yaşar Kemal
• The making of a cinema culture through cinema magazines in early Republican Turkey
• Yahşibey Houses
• Eski Köye Yeni Roman
• The Story of Two Houses in Fatih
• Cinema Between Reality and Magic
• Edirne Uc Serefeli Mosque and the Restorations up to the Republican Period through the Documents
• The Same Man's Story: İsmet Özel and Partisan
• The Challenge of Algorithmic Fiqh
• A Deconstructive Politics of Memory in Dervis Zaim's The Cyprus Trilogy
• Yaralı Erkeklikler: 12 Mart Romanlarında Yalnızlık, Yabancılaşma ve Öfke
• The Kiosk of Poet: Aşiyan
• The Genius Grandson of the Prophet: Şerif Muhiddin Targan
• The Latecomer Home
• Let Children Play
• Celebratory Poems
• Kemal’le İhtimal Namık Kemal'in Şiirine Tersten Bakmak
• Mesud Cemil
• Historicizing The Novel: Madonna in a Fur Coat as a Literary Event
• A Scholarly Literature Class at Sahn Madrasas in the Sixteenth Century Students of Karamani Mehmed Efendi
• Çoker House
• Talk with Eric Broug: On Islamic Geometric Patterns
• Hybridizing Conflicts and Power Pendulums
• İnsan Varsayımı (I): İnsanca, Pek İnsanca
• Romantic Guardians of Lost Time: Yavuz Turgul Movies and Nostalgia in the Context of Social Change After 1980
• An Urgup Experience in the Context of Locality
• Gelibolulu Mustafa Âlî’nin Kayıp Farsça Divanı
• İslamcıların Siyasi Görüşleri 2
• Gelibolulu Mustafa Âlî’nin Kayıp Farsça Divanı
• The Street of Sedat Anar: Sokaknâme
• Transformative Impact of the Process of “İstinsâh”: The Instance of Qıssa-i Yûsuf of Yûsuf-ı Meddâh
• Memory and Space: Sâmiha Ayverdi’s “İbrahim Efendi Konağı”
• The Mute
• Crosroads
• Children’s Literature in Turkey
• Turkish Cinema and Popular Music
• The Continuities and the Changes of Child İmage in Turkish Cinema from Yesilcam to Arabesk
• The Disaster of the Ideological Intervention on Culture and Art: What the Experience of Socialism Can Teach
• From Fasıl to Chorus: Choir as a Standardizing Tool in Classical Turkish Music
• National Vision Movement: Political and Social Transformations
• Cultural Policies in the Centennial of the Republic
• Poetry and Economics: On 'Twenty Reasons I Hate John Maynard Keynes'
• Warriors Without Borders? Rethinking Foreign Fighters in Modern Conflicts
• Artificial Intelligence, Translation and Publishing